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The Film-Makers' Cooperative Newsletter Fall/Winter 1998 |
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This publication was made
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'Zine' was seen and films were seen. since films were seen the zine was seen. each made a page a page by each. so each according to his need, | to each according to her desire designed & desired. by curators curating twelve programs equals twelve(double) pages befitting the subject and the form of each. this is how it came about with centerfold and cover art and deluxe color cover collector's edition stamped and numbered to one hundred and twenty: beauty and strangeness discovery and pleasure revelation and renewal cooperative ad cooptical board members not at all bored but this time especially excited and exploring in the deep rave of 'the coop's cinematic reserve bank blowing dust from the old and cutting umbilical cord from the new pressured and elongated in these frail pages, that shall last long but not to long. |
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FMC BENEFIT 1998 Party Extravaganza was a Hit! Read all about it from FRAMEWORKS Website's, experimental discussion group.
An archivist will soon
begin to examine and record the condition and provenance of
the 5000 prints being stored in the Cooperative's office.
Some of these are rare, irreplaceable Kodachrome prints and
some are one of a kind art works. Furthermore, many of our
older members have died with leaving an estate, making FMC
the existing archive for this work. Identifying this
material will facilitate the process of locating Printing
Masters for potential future duplication. We will also evaluate
paper documents relating to FMC's films, such as: former
catalogs, old newsletters, flyers of members' screening
(Andy Warhol, Hans Richter, etc. ) This information is of
great importance for film scholars. NYSCA's support will
help us establish a firm base for this on-going
process. FMC also applied to the
AFI for support in preserving several films made as part of
the first wave of the New American Cinema. The AFI did not
agree to support our entire request, but chose to cover lab
costs for restoration of several archival works, each of
which has historical and artistic significance. NYSCA's grant for general
operating support has been a great help. Last year FMC
purchased a new office computer system. This year,
accounting procedures have been computerized, with older
files transferred and integrated into the new IBM computer
with Windows 95. Other new software, Media Tracking System,
designed by David Warren at Berkeley Micro Design and
co-purchases with Canyon Cinema in San Francisco, is being
beta tested by FMC staff. The MTS software database will
streamline FMC's ordering, shipping and distribution
procedures; make it possible to index the film and video
collection by category, (e.g. genre, content, technique,
etc.); facilitate the design and publication of catalogues
and flyers; and enlarge membership record-keeping
options. Packaging Tours and Showcases
FMC member Stan Brakhage at MoMA's Big As Life: An
American History of 8mm Films.On Thursday, September 17,
1998. Stan Brakhage held his 'Salon" selections and
treasures from his personal collection of small gauge film.
The museum's small, Time Warner Screening Room was packed
and everyone enjoyed this rare treat. Below Stan rests after
outside the screening room after his presentation. Two weeks later FMC member Peggy Ahwesh had her one
person as part of the Big As Life series on Thursday,
October 8. Peggy as present and spoke before and took
questions after. Her presentation as well received. She
showed, Fragments Projects and From Romance to
Ritual.. From the evenings' program: One Person Presentation Peggy Ahwesh If you want to get info on future screenings with the
Big As Life series call 212-708-9480.
Drawings from Board Member, Jane
Gang
Pics for two '98 Board
meetings FMC Dues FMC, as many nonprofit arts organizations,
continues to work on an extremely thin margin. This leads to
the necessary reminder that membership DUES are due. Please
send your yearly $40
to the office.
FMC has again met with
success in its applications for grant support receiving two
grants for film preservation: one from NYSCA to evaluate the
archival condition of our collection and one from AFI for
the preservation of several films from the early 60's .
Also, NYSCA continues the third and final year of a grant to
FMC for general operating support. These applications were
prepared by members of the Grants Committee from the Board
of Directors, Dave Gearey (Chair), Karen Kramer and M. M.
Serra.
Anyone who is interested in putting together a
package of films from our collection for possible tour or
showcases, please contact M. M. Serra at the Film-Makers'
Cooperative, (212) 889-3820. You must be responsible for
setting up the program with the showcases and contacting the
filmmakers.
"One of the strongest advocates and most innovative users of
low-tech aestherics, Ahwesh unflinchingly examines the split
between social convention and individual experience. By
documenting people in their own habitats, her home-movie
strategies resonate on levels of language, gender difference
and ununguarded behavior, often contrasting adlts' and
children's experiences, as in From Romance to Ritual, or ,
as in The Fragments Project, allowing their subjects their
oun voices." --Museum of Modern Art Calendar, October
1998


From the FMC achvices.
Can you ID it?
Email
your answer to us.


September Board of Directors meeting
at Tessa Hughes-Freeland's studio
October Board of Directors meeting in the Study Center at the MoMA


The Robert Beck Memorial Theater
FMC work station for the archive at
the MoMA.
This specific reminder should not discourage
any member from making an additional or separate donation.
Because of our tax exempt status, donations are tax
deductible.
As always, we invite and encourage members who have
questions about this or any other FMC business to call M.M.
Serra at FMC at 212 - 889 3820
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