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The Film-Makers' Cooperative c/o The Clocktower Gallery 108 Leonard Street, 13 floor New York, NY 10013 USA phone: 212-267-5665 fax: 212-267-5666 e-mail: film6000@aol.com |
Film Catalog: Online Search
| 252 Results | Page 1 of 26 NEXT › | New Search |
 For Safekeeping (Scissions, Sutures and Naming) Genre: Documentary, Experimental Keywords: History For Safekeeping (Scissions, Sutures and Naming) is an experimental documentary that chronicles the procedures behind an image archive to offer a perspective on how origin, history and authority are formed, ordered and sustained. Rental: $75.00 |
 I will always wait (It will never be) Genre: Experimental Keywords: History In a film that captures Wall Street at a apoint between deconstruction (the shrouded Deutsche Bank) reconstruction (7 World Trade Center) and destruction (the absent Trade Towers), the phrases "I will always wait" and "It will never be" make possible a lamentation for the tragic September 11th event at a time when its physical indications have been upheaved in the midst of urban renewal and the flow of progress. --P. G. Rental: $40.00 |
 The Impossibility of remaining Genre: Experimental Keywords: Philosophical The Impossibility of Remaining draws its interpretation from a selection of critical ideas addressed by Maurice Blanchot, Emmanuel Levinas and Jacques Derrida. Their complex notions on truth, essence, death and disaster resonate here in a reoccuring scene, where a corpse is cryptically unveiled and re-veiled by the passing over of a moving spotlight. Rental: $50.00 |
 The Seen and Unseen Genre: Experimental Keywords: Environment & Nature, Philosophical This video surveillance of a cast shadow, seen advancing along the face of a window, is directed toward the ocular phenomena clarified in Merleau-Ponty’s work. As the centered window frame marks the video screen into sections, they are also perceived by us as “anchored” objects. Part of a larger unfolding, these anchors and points of reference are amongst a series of other elements that comprise this perspective. Some, although out of sight (such as the shadow-producing sun) are nevertheless present before the viewer’s eye (i. e. the specter of the tree). --P. G. Rental: $40.00 |
See Tom Run Genre: Experimental Keywords: Psychology & Mental Health A soldier's encounter with the enemy. Natural brain frequencies punctuate the psychological experience.--M. G. Rental: $20.00 |
The Men's Room Genre: Narrative Keywords: Children & Youth "... THE MEN'S ROOM, Frank V. Gaide's amusing little tale of a very young man's first trip to the men's room and all the exciting and foreign things he encounters there-among the best: a prophylactic dispenser and a stolen Celtics hat. At a running time of tweleve minutes, Gaide's film was just right, nicely cut and adequately acted and the men's room itself was not merely filmed on location at an actual lavoratory but a carefully constructed set was erected (no bathroom humor intended) so that the camera could freely move among the makeshift urinals and stalls. Clever. It brought back memories, too."-- Mark Griffin Rental: $20.00 |
Films by Jane Gang Genre: Experimental "Money can't buy you love but love can make you a lot of money" 1. Fine Lines (5 min., Shot on Super-8) "Repression breeds fine lines" 2. Inside Out (8 min., Shot on Super-8) "The fox went underground and lived off the smell of an oilrag" 3. Down The Tube (11 min., Shot on Super-8) "The air soaked with a thousand smells of perfumed vomit and cheap aftershave" 4. Christopher (3 min., Shot on Super-8) "A portrait of the Tranny pornmaker Christopher Lee" Rental: $35.00 |
Pink Pony Film Nites Compilation I curated by Jane Gang Genre: Experimental Keywords: Found Footage Jane Gang left London and the thriving London Underground Film scene in 1996. On 30th September 1996 she presented the first Pink Pony Film Nite @ the back of the Pink Pony Cafe on Ludlow, LES, NYC. This was the first regular spot to hit NYC since the Cinema of Transgression days back in the early 80's. The twice monthly then monthly film & video nites spawned the present generation of film nites that are now playing out of small venues around the city and Williamsburg. 1. Seven Days Till Sunday by Reynold Reynolds/Patrick Jolley (1997, 10 min., Shot on Super-8) "Seems like the perfect way to reach that final high while letting yourself go" 2. Jaunt by Andrew Rotting (1995, 6 min., Shot on 16mm) "Boats, water and boating types. A slice of British eccentricity @ its best" 3. The Empty Film by Paul Tarrago (2000, 4 min., Shot on Super-8) "Cutting edge filmmaking in sync" 4. Inside Out by Jane Gang (1995, 9 min., Shot on Super-8) "They're cutting the grass outside and my hair's getting shorter" 5. Rape of the Arthuropods by Arthur Lager (1997, 3 min., Shot on Super-8) "Some violent sex in the underwater world" 6. Sugar by Lisa Barnstone (2001, 7 min., Shot on Super-8) "Super cool, hot babe, Victoria Jealouse snowboarding Barnstone style" 7. Heavy Metal Parking Lot by John Heyn/Jeff Krulin (1986, 16 min., Shot on Video) "Cult Classic, a frozen moment" Rental: $35.00 |
Cindy Ann Genre: Experimental Keywords: Children & Youth A warm vignette about a little girl and a turtle.-- L. G. Rental: $20.00 |
 Locked Genre: Experimental Locked consists of five main characters. A man, a woman named Candy, a cat, a bird, and the voice of a woman on the phone. All characters have one thing in common; all are enclosed within their space, some more literally than others. There is a frenetic pace of disconnected sound and imagery in the film providing a sense of disengagement and isolation in each character. Towards the end, there is some crossover, so much so that Candy opens the door to leave. Rental: $30.00 |
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