Barbara Lattanzi

Barbara
Lattanzi

The work of Barbara Lattanzi in computational video, media installation, and generative software has roots in Chicago where she studied at School of the Art Institute with imagist painter, Ray Yoshida, and attended cinema lectures of Stan Brakhage.

Films

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    Optical De-dramatization Engine (O.D.E.) applied in 15-hour cycles to Ma-Xu Weibang's ‘Yeban gesheng’ (Song at Midnight), 1937
    Experimental

    Optical De-dramatization Engine (O.D.E.) applied in 15-hour cycles to Ma-Xu Weibang's ‘Yeban gesheng’ (Song at Midnight), 1937
    Barbara Lattanzi

    black and white, sound, 15 min
    Rental format: Digital file
    • History
    • Technology
    • Films About Film
    • Cameraless / Handmade
    • Structural
    • Found Footage
    • ethnic_multicultural
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    One Minute and Forty Seconds for Anna
    Animation
    Experimental

    One Minute and Forty Seconds for Anna
    Barbara Lattanzi

    color, sound, 2 min
    Rental format: Digital file
    • Cameraless / Handmade
    • technology

Biography

Barbara Lattanzi's work in computational video, media installation, and generative software has roots in Chicago where she studied at School of the Art Institute with Imagist painter, Ray Yoshida, and attended cinema lectures of Stan Brakhage. Later, she studied with Hollis Frampton and Tony Conrad at Center for Media Study (Buffalo, New York) and participated actively in Buffalo's artist-run organizations - Hallwalls, CEPA, and Squeaky Wheel - and collaborative groups including 8mm News Collective and Media Coalition for Reproductive Rights.  She currently teaches at the School of Art and Design of the New York State College of Ceramics at Alfred University.