Films
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ExperimentalOptical De-dramatization Engine (O.D.E.) applied in 15-hour cycles to Ma-Xu Weibang's ‘Yeban gesheng’ (Song at Midnight), 1937
Barbara Lattanziblack and white, sound, 15 minRental format: Digital file - Read More
AnimationExperimentalOne Minute and Forty Seconds for Anna
Barbara Lattanzicolor, sound, 2 minRental format: Digital file - Read More
ExperimentalCritical Mass applied to Black Lives Matter
Barbara Lattanzi40 minRental format: Digital file - Read More
AnimationExperimentalTwin Voyagers
Barbara LattanziDigital File, color, sound, 6 minRental format: Digital file - Read More
AnimationExperimentalVolcano Rondo
Barbara Lattanzidigital, color, stereo, 6.53 minRental format: Digital file - Read More
AnimationExperimentalProbes and Burrows
Barbara Lattanzidigital, color, stereo, 3.38 minRental format: Digital file - Read More
AnimationExperimentalCage Match Refractions
Barbara Lattanzidigital, color, stereo, 4.5 minRental format: Digital file
Biography
Barbara Lattanzi’s work has roots in Chicago. There she attended the School of the Art Institute, studying with Imagist painter Ray Yoshida and attending cinema lectures of Stan Brakhage. Later, she studied with Hollis Frampton and Tony Conrad at Center for Media Study (Buffalo, NY). From 2006 to 2020, she was a professor of electronic media at New York State College of Ceramics, Alfred University. Her films, videos, Internet art, and generative software are screened and exhibited widely, more recently at venues including Microscope Gallery (NYC), Whitney Museum of American Art, Block Museum of Art (Northwestern University), XCÈNTRIC 2020 (Barcelona).