Six Rolls; 14/41/43/36/47/52: Quick Billy

16mm, color, silent, 16 min
scans not available
[See Note With QUICK BILLY: *Included at no additional rental charge, IF REQUESTED, 6 uncut camera rolls to be shown before or following QUICK BILLY. Numbered 14, 41, 43, 46, 47, and 52 totaling 16 min., ...
Rental format: 16mm

About

[See Note With QUICK BILLY: *Included at no additional rental charge, IF REQUESTED, 6 uncut camera rolls to be shown before or following QUICK BILLY. Numbered 14, 41, 43, 46, 47, and 52 totaling 16 min., col., silent [24 fps], these are uncut archival materials.]


The film was conceived for viewing with a single projector, allowing the natural pauses between reels. Cans are labeled Parts I, II, III and IV , intended to be shown in this order.

The "rolls" took the form of a correspondece, or theater, between their author and Stan Brakhage, in the winter of 1968-69 and were shown at the at the M.I.T. Film Society by Fred Camper shortly after that time, along with written correspondence by both filmmakers.

As poetic cinema this film's significance to the world is perhaps in its narration of a singular phenomena of our time, implicitly revealing those ancient "rules" of transit evolved over centuries; e.g.; the Bardo Thodol, Dante Alighieri's own discoveries in the time of the 14th Century Europe, etc., whether taken literally or allegorically, or perhaps applied to modern psychology.

Films

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