Films
- Read MoreExperimental
Moving Picture
Michael Siporin16mm, black and white, silent, 6 minRental format: 16mm - Read MoreExperimental
How To Eat
Michael Siporin16mm, black and white, sound, 6 minRental format: 16mm - Read MoreExperimental
Bang, Head Go Bang Bang
Michael Siporin16mm, black and white, sound, 9 minRental format: 16mm - Read MoreExperimental
Reduction
Michael Siporin16mm, black and white, sound, 11 minRental format: 16mm - Read MoreExperimental
One Neetah And Mickey
Michael Siporin16mm, color and b/w, silent, 11 minRental format: 16mm - Read MoreExperimental
Openings
Michael Siporin16mm, color, sound, 10 minRental format: 16mm - Read MoreExperimental
Ritz Newsiola #1
Michael Siporin16mm, black and white, sound, 6 minRental format: 16mm - Read MoreExperimental
The Ritz Newsiola #2
Michael Siporin16mm, black and white, sound, 7 minRental format: 16mm - Read MoreExperimental
The Ritz Newsiola #3
Michael Siporin16mm, black and white, sound, 7 minRental format: 16mm
Biography
Michael (Mickey) Siporin (1940 - 2004) was a cartoonist and filmmaker. He held an M.F.A. from Southern Illinois University and a graduate degree in film studies from the University of Califoria at Los Angeles. He taught at Southern Illinois University, Western Illinois University, St. John's University, Pratt Institute, and the New School for Social Research.
Siporin worked as a cartoonist for the Los Angeles Free press.
His motion picture showings throughout the United States included: The Bridge (N.Y.), Ohio University, Cinematheque 16 (L.A.), Film-Maker's Cinematheque (N.Y.), Second City and Aardvark (Chicago), Kenmore Square (Boston), and 1965 Chicago International Film Festival (Special Jury Award). His films were distributed by Cinema 16, the Film-Maker's Cooperative, and Center Cinema Cooperative.
A description of Siporin's 1969 Spring course, "The Underground Cinema: A Commitment to Experimentation," at the New School For Social Research, can be read below:
"The underground film-maker is convinced that the motion picture has yet to be adequatley explored and thus that it has not fully realized its most dynamic potential. Experimentation of medium has preceded further development in other more traditional art forms, and to a great extent it is this awareness of history that has challenged the artist to explore the possibilities of the motion picture. The class will study through example and experiment the techniques and philosophies of the underground film. Recent underground films will be viewed and discussed."