Through her experiments with Super 8 film and analog sound, Rachael strives to create an engaging live viewing experience that embraces the idiosyncratic qualities of technology, while maintaining a hand- crafted approach to her output. Since graduating from the San Francisco Art Institute, her films have screened at the San Francisco Cinematheque, RX Gallery, Mono No Aware, Northern Flickers, UnionDocs, AXWFF, Black Maria, Echo Park Film Center and Microscope Gallery where she was invited to present her first solo show in 2013. In 2016-2017, Rachael participated in Dreamlands: Expanded, a series of expanded cinema events organized by Microscope Gallery in collaboration with the Whitney Museum of American Art as part of the exhibition “Dreamlands: Immersive Cinema & Art, 1905-2016”. In this series, she provided live sound and additional visual support for a re-staging of Kurt Schwerdtfeger's 1922 “Reflektorische Farblichtspiele” (Reflecting Color-Light- Play), premiered a film, light, and sound composition REDNOWWONDER, and performed as part of The Owl Flies at Twilight with Optipus.
Collaboration is integral to Rachael's creative process. As a member of Optipus Film Collective, she has performed live foley and record manipulations at the Kitchen, Participant Gallery, 2011 Index Festival, Roulette, the Museum of Art and Design (MAD), Morbid Anatomy Museum, Transient Visions, and Unseen Cinema. Rachael plays theremin for the sound collective, Underworld Oscillator Corporation, most recently performing a live score for the silent film version of The Phantom of the Opera (1925). She is also a founding member of the liquid light projection group, A Clockface Orange.
Her teaching experience includes introducing avant-garde film to at-risk teens at Reel Works, artist visits at Brooklyn College, Pratt Institute and Sarah Lawrence, animation, sound for film and theremin workshops at the Children's Museum of
the Arts, and the ongoing Super 8mm workshops for Mono No Aware.