Raúl
Ruiz

The son of a ship's captain and a schoolteacher in southern Chile, Raúl Ruiz abandoned his university studies in theology and law to write 100 plays with the support of a Rockefeller Foundation grant. He went on to learn his craft working in Chilean and Mexican television and studying at film school in Argentina in 1964. Back in Chile, he made his feature debut Three Sad Tigers (1968), which won the Golden Leopard at the 1969 Locarno Film Festival. According to Ruiz in a 1991 interview, Three Sad Tigers "is a film without a story, it is the reverse of a story. Somebody kills somebody. All the elements of a story are there but they are used like a landscape, and the landscape is used like story." He was something of an outsider among the politically oriented Chilean filmmakers of his generation, such as Miguel Littín and Patricio Guzmán, with his work being far more ironic, surrealistic, and experimental. In 1973, shortly after the military coup d'état led by Augusto Pinochet, Ruiz and his wife, fellow director Valeria Sarmiento, fled Chile and settled in Paris, France.

Ruiz soon developed a reputation among European critics and cinephiles as an avant-garde film "magician," writing and directing a remarkable number of amusing, eccentric, complex, and highly literary, low-to-no-budget films in the 1970s and 1980s (often for France's Institut national de l'audiovisuel and then for Portuguese producer Paulo Branco). The best known of these often oneiric, fabulist films are Colloque de chiens (1977), a short which marked the start of Ruiz's long-term working relationship with Chilean composer Jorge Arriagada; The Suspended Vocation (1978); The Hypothesis of the Stolen Painting (1978); On Top of the Whale (1982); Three Crowns of the Sailor (1982); City of Pirates (1983); Manoel's Destinies (1985); Treasure Island (1985) and Life is a Dream (1986). A special issue of Cahiers du cinéma was devoted to Ruiz in March 1983.

In the 1990s, Ruiz began working with larger budgets and "name" stars like John Hurt in Dark at Noon (1992) and Marcello Mastroianni in Three Lives and Only One Death (1996). The following year, he made Genealogies of a Crime starring Catherine Deneuve, which won the Silver Bear at the 47th Berlin International Film Festival. Isabelle Huppert also worked with Ruiz on Comedy of Innocence (2000), which was nominated for the Golden Lion at the Venice Film Festival. John Malkovich acted in the star-studded Marcel Proust adaptation Time Regained (1999) and the somewhat less successful Savage Souls (2001) and Klimt (2006). That Day (2003) was the fourth and last Ruiz film to be shown in the main competition of the Cannes Film Festival. He also made forays into the English-language mainstream with the thrillers Shattered Image (1998) and A Closed Book (2010). In the final decade of his life, Ruiz wrote and directed several low-budget productions in his native Chile, but his final international success was the Franco-Portuguese epic Mysteries of Lisbon (2010).

Ruiz claimed that he was "always trying to make this connection between different ways of producing: film, theater, installations, and videos." He hoped his "films would have to be seen many times, like objects in the house, like a painting. They have to have a minimum of complexity." Over the years, he taught his own particular brand of film theory, which he explained in his two books Poetics of Cinema 1: Miscellanies (1995) and Poetics of Cinema 2 (2007), and actively engaged in film and video projects with university and film school students in many countries, including the US, France, Colombia, Chile, Italy and Scotland.

Ruiz died in August 2011 as a result of complications from a lung infection, having successfully undergone a liver transplant in early 2010 after being diagnosed with a life-threatening tumor. The Presidents of France and Chile both praised him. The Church of Saint George-Paul in Paris held a memorial service which was attended by many notable friends, including Catherine Deneuve, Chiara Mastroianni, Melvil Poupaud, Paulo Branco, Arielle Dombasle, Michel Piccoli, and Jorge Edwards. Ruiz's body was then returned to Chile to be buried as specified in his will and a National Day of Mourning was declared in Chile.