
Films
- Read MoreExperimental
Optical De-dramatization Engine (O.D.E.) applied in 15-hour cycles to Ma-Xu Weibang's ‘Yeban gesheng’ (Song at Midnight), 1937
Barbara Lattanziblack and white, sound, 15 minRental format: Digital file - Read MoreAnimationExperimental
One Minute and Forty Seconds for Anna
Barbara Lattanzicolor, sound, 2 minRental format: Digital file - Read MoreExperimental
Critical Mass applied to Black Lives Matter
Barbara Lattanzi40 minRental format: Digital file - Read MoreAnimationExperimental
Twin Voyagers
Barbara LattanziDigital File, color, sound, 6 minRental format: Digital file
Biography
Barbara Lattanzi's work in computational video, media installation, and generative software has roots in Chicago where she studied at School of the Art Institute with Imagist painter, Ray Yoshida, and attended cinema lectures of Stan Brakhage. Later, she studied with Hollis Frampton and Tony Conrad at Center for Media Study (Buffalo, New York) and participated actively in Buffalo's artist-run organizations - Hallwalls, CEPA, and Squeaky Wheel - and collaborative groups including 8mm News Collective and Media Coalition for Reproductive Rights. She currently teaches at the School of Art and Design of the New York State College of Ceramics at Alfred University.