Films
- Read MoreExperimental
Andy Warhol's Silver Flotations
Willard Maas16mm, color, sound, 4 minRental formats: 16mm, Digital file - Read MoreExperimental
Narcissus
Willard Maas16mm, black and white, sound, 59 minRental format: 16mm - Read MoreExperimental
Geography of the Body
Willard Maas16mm, black and white, sound, 7 minRental format: 16mm - Read MoreExperimental
Image In The Snow
Willard Maas16mm, black and white, sound, 29 minRental format: 16mm - Read MoreExperimental
Mechanics of Love
Willard Maas16mm, black and white, sound, 7 minRental format: 16mm - Read MoreDocumentaryExperimental
Visions of Warhol
Willard Maasblack and white, silent and sound, 56 minRental format: DVD PAL - Read MoreExperimental
Excited Turkeys
Willard Maas16mm, color, sound, 12 minRental format: 16mm - Read MoreExperimental
Orgia
Willard Maas16mm, color, sound, 12 minRental format: 16mm
Biography
He was the husband of filmmaker Marie Menken. The couple achieved some renown in the New York modern art world of the 1940s through the 1960s, both for their experimental films and for their salons, which brought together artists, writers, filmmakers and intellectuals.
According to their associate, Andy Warhol, 'Willard and Marie were the last of the great bohemians. They wrote and filmed and drank -- their friends called them 'scholarly drunks' -- and were involved with all the modern poets.
In the 1960s, Maas was a faculty member at Wagner College and an organizer of the New York City Writer's Conference at the college where Edward Albee was a writer in residence. The filmmaker Kenneth Anger indicates that Maas and Menken may have been a significant part of the inspiration for the characters of George and Martha in Edward Albee's 1962 play Who's Afraid of Virginia Woolf? (Scott McDonald - 'A Critical Cinema: Interviews with Independent Filmmakers' (University of California Press - 1988).
Maas died on January 2 1971, four days after Menken had died of alcohol related illness. He was cremated.