Programs

Non Films Presents DarkRoom: Screening & Salon at the Film-Makers' Cooperative

Five FMC titles on 16mm accompanied by a live score
5 films
On Tuesday, June 17th, at 7pm, Non Films presents “DarkRoom: Screening & Salon” at the legendary Film-Makers' Cooperative! The selected films are all early works by modern masters, some of which have been overlooked and not screened in decades. We are honored to partner with this historic institution to bring these experimental films out of the archive to be absorbed by fresh eyes.
Films

Films

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    On The Edge
    Experimental

    On The Edge
    Curtis Harrington

    16mm, black and white, sound, 6 min
    Rental format: 16mm
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    Crocus
    Animation
    Experimental

    Crocus
    Suzan Pitt

    16mm, color, sound, 6.5 min
    Rental format: 16mm
    • Arts / Artists
    • Family
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    Aleph
    Experimental

    Aleph
    Wallace Berman

    16mm, black and white, sound, 10 min
    Rental format: 16mm
    • History
    • Technology
    • Spiritual / Mystical
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    Film
    Narrative

    Film
    Samuel Beckett

    16mm, black and white, sound, 21 min
    Rental format: 16mm
    • Literarature / Theater
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    Artificial Light
    Experimental

    Artificial Light
    Hollis Frampton

    16mm, black and white, silent, 25 min
    Rental format: 16mm
    • Arts / Artists
    • Structural
Description

Description

On Tuesday, June 17th, at 7pm, Non Films presents “DarkRoom: Screening & Salon” at the legendary Film-Makers' Cooperative! The selected films are all early works by modern masters, some of which have been overlooked and not screened in decades. We are honored to partner with this historic institution to bring these experimental films out of the archive to be absorbed by fresh eyes.

TICKETS

Five rarely-screened works will be presented on 16mm prints (69 minutes). The program concludes with an original LIVE SCORE by Dan Arnés and Erik Gundel. Curated by Brian Ratigan and Elizabeth Yoo.

Program:

1. Curtis Harrington, On the Edge (1949, 6 minutes)

2. Suzan Pitt, Crocus (1971, 7 minutes)

3. Wallace Berman, Aleph (1976, 10 minutes)

4. Samuel Beckett, Film (1964, 21 minutes)

5. Hollis Frampton, Artificial Light (1969, 25 minutes) (with a live score by Dan Arnés & Erik Gundel) 

Total Run Time: 69 minutes.

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