Bridges-Go-Round
Stills
About
"By my standards, Miss Clarke's picture, an eerie close-up of the metropolitan bridges, is extraordinary. A film that captures the bizarre magic of man-made spans with the movement of a lightning clap and with the same terrible beauty." – Howard Thompson, The New York Times "A new creative development ... truly excellent." – Mr. Hugh Gray, Dept. of Film, UCLA
Programs
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Abstracting the Everyday: Works by the Women of the Film-Makers' Cooperative
A program of films by women FMC members
This program highlights the vibrant personal visions of eight female members of the Film-Makers’ Cooperative. Curated by Julia Curl and playing at the FMC Screening Room on Friday, March 4th, 2022, at 7pm.
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Cine-Syncopation: Jazz on Film
Four FMC film and video artworks exploring jazz music, part of the series "Sonic Visions: Experiments in Cinema and Music"
For the second program in our summer series SONIC VISIONS: EXPERIMENTS IN CINEMA AND MUSIC, join us at the Film-Makers' Cooperative on Friday, August 23rd, 2024, at 7pm, for an hour-long slate of subversive and rarely-screened films and video art from our collection about, or featuring, jazz!
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Euclidean Illusions: Geometries of the Avant-Garde
A chronological selection of films that experiment with different methods of geometric abstraction
This chronological selection of films from the Film-Makers’ Cooperative archive, playing on Saturday, October 22nd, 2022, at 6pm, looks at the ways in which avant-garde filmmaking experimented with different methods of geometric abstraction from 1921 to 1980. Curated by Julia Curl.
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Seeing the City: Avant-Garde Visions of New York from the Film-Makers' Cooperative Collection and Beyond
A 10-program series of films about NYC in collaboration with Film at Lincoln Center
Film at Lincoln Center and The Film-Makers’ Cooperative present "Seeing the City: Avant-Garde Visions of New York from The Film-Makers’ Cooperative Collection and Beyond," to be presented at FLC from May 3rd–7th, 2024. The series will feature a selection of films from the Film-Makers’ Cooperative catalog, and elsewhere, that paint a unique portrait of the city, with many presented on 16mm.