Holly Fisher

Holly
Fisher

Holly Fisher has been active since the mid-sixties as an independent filmmaker, printmaker, teacher, and film editor. She was the editor of Christine Choy and Renee Tajima-Peña’s feature documentary ...

Films

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    Subway

    Subway
    Holly Fisher

    digital, color, sound, 5 min
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    Apple Summer
    Documentary

    Apple Summer
    Holly Fisher

    16mm, color, sound, 23.75 min
    Rental format: 16mm
    • Arts / Artists
    • Biography / Autobiography
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    Glass Shadows
    Experimental

    Glass Shadows
    Holly Fisher

    16mm, color, sound, 13.25 min
    Rental format: 16mm
    • Personal / Diary / Journal
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    Chickenstew
    Experimental
    Narrative

    Chickenstew
    Holly Fisher

    16mm, color, sound, 10.75 min
    Rental format: 16mm
    • Films About Film
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    From The Ladies
    Experimental

    From The Ladies
    Holly Fisher

    16mm, color, sound, 20 min
    Rental format: 16mm
    • Personal / Diary / Journal
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    This Is Montage
    Experimental

    This Is Montage
    Holly Fisher

    16mm, color, silent, 7 min
    Rental format: 16mm
    • Films About Film
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    Amarillo; Westcliffe Stampede Parts I & II
    Experimental

    Amarillo; Westcliffe Stampede Parts I & II
    Holly Fisher

    16mm, color, silent, 13 min
    Rental format: 16mm
    • Environment / Nature
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    Ghost Dance Wildwest Suite, Part III
    Experimental

    Ghost Dance Wildwest Suite, Part III
    Holly Fisher

    16mm, color, silent, 22.75 min
    Rental format: 16mm
    • Environment / Nature
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    Rushlight: East/West Cycle, Part II
    Documentary
    Experimental

    Rushlight: East/West Cycle, Part II
    Holly Fisher

    16mm, color, silent, 39.5 min
    Rental format: 16mm
    • Environment / Nature

Biography

Holly Fisher has been active since the mid-sixties as an independent filmmaker, printmaker, teacher, and film editor. She was the editor of Christine Choy and Renee Tajima-Peña’s feature documentary Who Killed Vincent Chin? –– nominated for an Oscar in 1989, and added to The National Film Registry of Library of Congress, 2021.

Her experimental short works and long-form essay films –– explorations in time,memory, trauma, and perception –– have been screened in museums and film festivals worldwide including Whitney Museum Biennials; Centre Pompidou, Paris; Film Forum, Japan; and two world premieres in The Forum of the Berlinale, Germany. Selected grants include The Jerome Foundation, NYSCA, CAPS, and The American Film Institute. Her silent film Rushlight won the Grand Prize in the 1985 Black Maria Film Festival, and her feature Bullets for Breakfast received “Best Experimental Film Award” at the Ann Arbor Film Festival. Her solo retrospectives include The Museum of Modern Art(1995) and more recently at Anthology Film Archives (2019), each entitled THE FILMS OF HOLLY FISHER. Her new feature Out of the Blue, completed during cover lockdown, was premiered weekend of the 9/11 20th anniversary at Anthology Film Archives, September 2021, together with A Question of Sunlight–– Fisher's experimental doc linking 9/11 with the Holocaust via the telling of downtown artist José Urbach, who was witness to both.